In 2005 I participated with this typeface for the call Tipo-Q, organized and convened by Centro Cultural de Diseño La Mancha, in a tribute to the 400 years since the first edition of «Don Quijote de La Mancha». This work was highlighted in 10 finalists.
The aim of this typeface which is still under development, is to merge two historical moments in the form and style of writing, on the one hand calligraphy uncial, and Roman serif was established as a universal standard for type fonts continuous text at the time. Is intended in terms of their functionality as a font for titles. An earlier version of this font was developed in two versions of the equivalent weight and italic. The current version, rethought the initial version is projected to be developed in two typographical weights. The family includes some extended range glyphs as several Caps swashes and stylish alternatives for upper and lower case, standard and discretional ligatures, old numerals and other OpenType features.
Available at MyFonts
The aim of this typeface which is still under development, is to merge two historical moments in the form and style of writing, on the one hand calligraphy uncial, and Roman serif was established as a universal standard for type fonts continuous text at the time. Is intended in terms of their functionality as a font for titles. An earlier version of this font was developed in two versions of the equivalent weight and italic. The current version, rethought the initial version is projected to be developed in two typographical weights. The family includes some extended range glyphs as several Caps swashes and stylish alternatives for upper and lower case, standard and discretional ligatures, old numerals and other OpenType features.
Available at MyFonts
