Designed for Volkswagen AG in 1979, VAG Rounded™ is a modification of 19th-century grotesques. Exceptional in this typeface are the rounded stroke endings. Use this typeface for technical texts, instruction manuals, or advertising.

The FF Govan™ family was designed by German type designers Erik Spiekermann and Ole Schäfer in 2001. Regular, condensed and expanded widths are ideally suited for many kinds of branding use such as packaging, film and logo work.

The Daytona™ typeface family – designed by Jim Wasco as sturdy squared letters based on humanist shapes and proportions – grew out of a desire to provide improved fonts for use in televised sporting events.

Based on the form of ancient Roman inscriptions, the sans serif Sackers™ Gothic font family was developed in 1994 by the Monotype Design Studio. It is an engraver, all-capitals family for invitations and stationery.

The Monotype Typewriter™ series contains three typefaces created to emulate output from real typewriters – this fixed pitch design comes complete with authentic ink traps and dark spots.

The Burlingame™ typeface family from Carl Crossgrove is a sturdy typeface with open, clear shapes that offer high legibility, even in constrained digital settings, or in challenging print environments such as tiny pharmaceutical labels.

Freehand 471 is a chunky and dynamic script typeface designed by Matthew Carter, and perfect for advertising and display.

Designed by Jim Wasco, the Harmonia Sans™ family is a balanced and harmonious geometric sans with a twist. Its proportions make it a friendlier, more dynamic typeface that performs well in print and on screen.

Eurostile® Next is Linotype’s redrawn and expanded version of Aldo Novarese’s 1962 design. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50’s and 60’s, yet it still has a remarkably new and contemporary feeling.

Epokha™ is the work of Colin Brignall, an unusual slab serif typeface influenced by the poster styles of the early 20th century. Its robust geometric construction commands attention in a fresh, contemporary way.

Dempster™ is a geometric sans serif design by Jim Ford. It is tall, bold and square with interesting details such as the angled terminals on the lowercase letters and friendly-looking punctuation.

Because of the geometric basis of its forms, Memphis® Soft Rounded is often thought of as a font for technical fields, making a rational, purposeful impression. Memphis is appropriate for any text which should exhibit a clear, neutral character.

The Ysobel™ typeface family is not only elegant; it is also exceptionally legible and space economical. Designed for setting text in newspapers and periodicals, Ysobel gives breathing room to dense paragraphs of text.

Originating in England in 1845, Clarendon™ was polished by Edouard Hoffmann and Hermann Eidenbenz at Haas a little over a century later. It has a timeless appearance for a wide range of contemporary uses from websites, ads, publications and signage.