'glomorphs'

These works are realized by using digital imaging tools to employ a series of digital bicubic algorithms on my own photographs, which i simultaneously digitally ‘paint’, impacting acutance, saturation and hue. From a viewing distance of several yards, these ‘reexportations’ suggest precise indications of the observed subjects, while closer observation reveals detailed information.  The visual vocabulary of influences include Stanton MacDonald-Wright’s synchromism and Francis Bacon’s probing of the topography of form – inviting the viewer to assemble and reassemble the presented optical stimuli within the pieces. Originally intended to be seen exclusively on monitors or ‘light boxes,’ the fabrication technique, waterproof archival dye infused on aluminum, brings an unexpectedly highly chromatic experience to viewers.