About the Work
Using the 4 seasons as a motif, we created a space using a production of images and music.

Within the autumn space we expressed an atmosphere where you can feel the presence of the autumn night. In order to do this, we used images of swaying pampas grass on sliding paper doors and created music that contained the sounds of wind and the voices of insects. The image of the swaying pampas grass was projected onto the sliding doors using the Panasonic single focus projector.

Within the spring space, 3 Panasonic Space Players operated together and projected a sprinkling of dots in the spaces between paintings. The fluff from the dandelions that fly out of the pictures flowed throughout the space, and you could feel a gentle story that connects between the pictures.

Within the summer space, we created images where you could feel a day in the summer, making use of motifs such as sunlight filtered through trees, goldfish, evening showers, an evening landscape, the light of fireflies, and fireworks. The space player shining on the lined up glass containers combined with the projector shining on the floor to produce the images.

The main works are the 4 seasons hanging scrolls that reach up to a height of 3 meters. An image was projected onto the scrolls themselves, and the pictures moved as if they had come to life. This was a piece that drew out the fascination of each of the 4 seasons to the greatest possible extent. In the first half of the image you observe each motif of spring, summer, fall, and winter as they pass by, and the latter half built up dynamically to the changing of these 4 seasons. Lastly in the space of the camellia flower, a symbol of winter, the piece that inspired Tsurutaro Kataoka to start painting (ANOHINOTSUBAKI-literally translated to Camellia of that Day) was recreated and expressed in a continuous drawing. The silhouette of the camellia that shouldn't be there sways calmly, and in that background the blot patterns (drawn continuously by Tsurutaro Kataoka) of fleeting beauty appear one after another.

About the exhibition 
In September 2015, the Panasonic Shiodome Museum hosted the Panasonic space production exhibit of “SHIKISAIKA-Flowers of the four seasons,” managed by Wow Inc. Using the latest Panasonic image devices (such as 5 Projectors, 10 Space Players) the entire room became a production through images and music.

作品について
片岡鶴太郎氏と、パナソニック汐留ミュージアムのための空間演出。
四季を巡るように作品鑑賞ができる空間を目指した。

・秋の空間
夜の気配と空気感を演出するため、障子越しにススキの揺らぐ映像を投影し、風の音や虫の声を取り入れた音で空間を満たした。

・春の空間
PanasonicのSpace Player3台を連動させ、絵と絵を繋ぐ緩やかなストーリーを描いた。絵から飛び出したタンポポの綿毛が、蝶々とともに舞いながら、体験者を夏の空間へと誘う。

・夏の空間
ある夏の一日をイメージした映像を制作。Space Player２台、高輝度プロジェクター２台を同期させ、器を並べた什器と床面に投影した。縁日の金魚や、夕立、蛍、花火といったモチーフが登場する。

・四季彩花
本展のために描かれた4点の連作《四季彩花》へのプロジェクションマッピング。作品の中に描かれた舞い散る桜や紅葉といったモチーフを、時の流れを感じさせるダイナミックなモーショングラフィックスで表現した。
椿の空間：鶴太郎氏が、絵を描くきっかけとなった「あの日の椿」をイメージした作品。花器の背後に、あるはずのない椿のシルエットが揺れ、美しいにじみ模様が延々と咲き乱れる。

展示について
2015年9月17日から約１ヶ月間、パナソニック汐留ミュージアムにて開催された、パナソニックの空間演出ソリューション特別展「片岡鶴太郎 四季彩花」
片岡鶴太郎氏の作品約70点を、日本の四季をテーマにした空間へ配し、映像投影と音楽による演出を行った。
Panasonic全面協力のもと、最新の映像機器や照明を駆使した制作が行われた。