In my latest works, I explore the non-human aesthetics and logic of artificial intelligence, for which the ontology we are used to is just one of an infinite number of options for the interaction of images.

In my hands is a neuro-photo camera that captures fantasies directly, bypassing the limitations of physical reality. This is a neo-reportage: I delicately explore the boundaries of the imaginative world, without interfering with every moment of its life, and tremblingly wait for the right moment when beauty and chaos merge into mysterious perfection.

The dynamic interaction between abstract concepts and material sensory images is a reflection of the plasticity of time and space. Directed towards the foggy shores of an imaginary future, the synthetic stream of hyper-realistic emotions and indifferent data, blurring the boundaries between permanent re-awareness of oneself and the humble acceptance of the total unity of eternal harmony, fascinates, seduces again and again to look for a point, even for a moment, of a stable balance between concepts that are mutually exclusive in the ordinary human coordinate system.

Micro-macro-fashion-landscape-portrait-reportage-abstraction is now a possible photographic genre. Tomorrow is manifesting itself now through the search for a visual metalanguage that will describe the previously unimaginable interweaving of cultural layers.

My lecture on the theory and practice of commercial and creative work with neural networks at the opening of the exhibition. Yes, they are high-res. Many works are part of commercial projects. Art and business - together)