Dıgıtal Stage #3 A Doll's House (Nora)
BASED ISTANBUL X ZORLU PSM & Theather Kintsugi
January 18, 2021
With an up-to-date format in which the audience element is digitized, sequences selected from cult dramas are brought to life at the Zorlu PSM Youtube channel. Produced by Zorlu PSM and Based Istanbul, the series aims to regenerate excitement to create brand new projects for the theatre stage, which came to a halt due to pandemic, and gain a new dynamic where the audience factor is being digitalized.
Written by Henrik Ibsen
Adaptation/Director: İbrahim Çiçek
Videographer: Gizem Kızıl
Cast: Bora Akkaş, Nilperi Şahinkaya
Producer: Duygu Bayram, Zorlu PSM
Creative Producer: Duygu Bengi, Based Istanbul
Executive Producer: Miray Kaya
Scenography – Stage and Costume Design: Ceyda Balaban
Costume Design: Burak Sanuk, Mert Yemenicioğlu
Music: Ömer Sarıgedik
Photography: Burcu Karademi̇r
Light: İbrahim Çiçek
Light Application: Serkan Polat
Project Menager: Levent Dokuzer
Project Coordinator: Gözde Tekay
Video Production: Metehan Öz
Poster Design: Ecem Tungaz
Assistant Director: Helin Demirel
Production Assistant: Eylül Yankın
Hair: Makas
Makeup: Mac
Stage Manager: Yılmaz Çoban
Sound: Uğur Ataseli̇m, Sergen Şi̇mşek
Camera Crew: Can Tengi̇z, Behçet Mert Erbirer
Post Production: Zeynep Torun
Camera Asistants: Mehmet Emin Yücel, Murat Çağlayan
Sound Mix: Sehat Soyaltın, North İstanbul ve Serkan Aykut Kargacı Zorlu PSM
Creative Agency: BI Creative
Bora Akkaş Costume: Beymen, Ayakkabi Dünyasi
Ni̇lperi̇ Şahi̇nkaya Costume: Fi̇dan Şi̇mşek, Sudi̇ Etuz, Faraway
Nora is one of my favorite characters and is also very popular in the theater world. I am even more excited to be able to portray Nora, especially in a country where women are subjected to such physical or psychological violence because she has a very manipulative partner and the women of this country are also victims of manipulation.
– Nilperi Şahinkaya
Looking at the time and the sociology of the society in which the text was written, it was really powerful to see how close things were to where we are now and that almost nothing had changed.
– Bora Akkaş
