Uma noiva decadente é mais bonita que uma noiva luxuosa.
The vectors point to the ghosts in a faster and unidentifiable time, because the brightness of the structures disturbs the retina, because the glass looks like sugar and even pointed it strokes the jugular, like a silk tie. The photographs aim to interrupt time by mortifying new and old buildings in the metropolitan region of São Paulo in one bond.
The traces present in the 35mm negative were the drivers for the ghosts to be evident in the photographs of the landscapes and structures. Field research was needed in the city to carry out this work, some territories visited were directly linked to academic research.
The traces present in the 35mm negative were the drivers for the ghosts to be evident in the photographs of the landscapes and structures. Field research was needed in the city to carry out this work, some territories visited were directly linked to academic research.
Rebouças Avenue nº 1955, 2019
Vase and Bra with Dead Flowers, 2019
Que Tem Sapato Não Sobra, 2019.
Refinement, 2019.
The Hostess, 2019.
Metal Land, 2019.
Small Personal Coliseum for Rent, 2019.
Ruined places will be occupied, 2019. in the image "OCCUPATION. Fight for housing"
Corrupted file, 2019
bye bye auto shop, 2019
Papaya fruits are nourished by river, 2019.
Realizing that one of the oldest and most important avenues in the city of São Paulo was going through a process of deterioration and real estate speculation, I felt almost as a primary instinct the need to photograph its decay. Not long ago, Rebouças Avenue was called The Avenue of the Brides because there was a very large concentration of shops for bridal dresses in the region.The avenue was acclaimed as a region of the São Paulo elite, registering the decay of a luxurious place seemed like a sweet fetish to be realized.
Rebouças Avenue was the scene of the journeys of my life for a few years, when I was younger I went through it every day because it was the bus route I took to go to school. Seeing its elements changing is somewhat melancholy and uncanny because when I travel back in time I see the inexhaustible translocation of concrete and the question remains: is the city always full of ruins or is it now that the processes of degradation are intensifying? The iconography carried out had as objective to compose an academic research of Environmental Psychology, to understand the elements present in the avenue was also to understand how people inhabited the ruins.
I will miss your decay and rotten elegance, Goodbye Avenue of Brides, 2019.
Shop windows of fantasy, 2020.
They shoot horses, 2020.
grandma ghosts, 2018.
phantasm, 2018.
enlightenment of the scene, 2018
chimera, 2018.
x-ray, 2017
untitle, 2017.
visual accidents, 2017.
Pinheiros River, leaving the center of São Paulo, 2019.
The sugar stuff, 2021
Um bicho de sete cabeças, 2021
Um bicho de sete cabeças, 2021
The sugar stuff II, 2021.
home, 2021
the buble bath, 2021
future ? , 2021
a column of white brightness that in less than three minutes reached 30 thousand feet., 2021
the world around me went white and bright, as if a flash had been fired in my face, 2019
I felt a light on my back that threw me about 10 meters forward, 2019
untitled, 2021
total eclipse of the sun, 2019.
ghosts walk through electricity, 2021
Welcome to Santana de Parnaíba, 2019.
a city of pioneers, 2019.
built under indigenous cemeteries, 2019.
The rivers were full of bodies, 2019.
São Bernardo do Campo, 2019.
ghostly structure, 2019.
